I’ve been working on revising a novel I drafted during NaNoWriMo in 2019. I picked it up again recently, read it, and thought “Hey, I still really like this. I could probably do something with it.” So here I am, working through it.
I’ve talked a bit about rough drafts before (see Do your rough drafts ever get less rough? or “Don’t compare your rough draft to someone else’s final product” or Remember to look back) but I think it’s a good topic to revisit. You learn different things about yourself with each project, and you learn new things about yourself with each revision. And I think it’s helpful for writers at all levels to talk about their current process and just … share a bit about what goes on behind the scenes.
First Draft Rebecca can’t be bothered with limiting POVs
The first draft is in third person and I didn’t limit myself to using only certain characters. I was just trying to get the story down and follow it through to the end, so if I wanted to know what was happening over there more than halfway through the story, even though I’d never used one of those characters as a POV character yet … it didn’t matter. I hopped into their head and figured things out from there.
My first step was transferring the manuscript scene by scene from Word to Scrivener, which I wasn’t using at all back then. (2019 seems like eons ago.) While I was doing that, I labeled the scene’s POV – or double labeled it, if it was written from Z’s point of view, but X or Y was there. In the rewrite I’m limiting things to two POVs.
This means losing a lot. First off, the new, cut document was about 25,000 words shorter than my initial draft. But what about those scenes? The tension I created by jumping back and forth at crucial points, leaving things hanging?
Well. A lot of those darlings are dead. Or, at least, left behind in the first draft. I’ll figure out how to work around them, and then I’ll be one of only a handful of people who could tell you there’s something missing.
First Draft Rebecca likes to repeat herself
So first, remember that NaNoWriMo means writing your first draft at top speed, aiming for 50,000 words in 30 days. I … didn’t. 2019 was the year I hit 50k on November 3, which is why I went on to push myself to hit 50k in two days in 2020. (Spoiler alert: I did, but it also hurt my hands, and I’m never doing it that quickly again. A fact my writing group reminds me of every late October.)
When you’re drafting quickly, just trying to get the story down, you’re bound to repeat yourself. Overemphasize the things you’re pretty sure are going to be important. Reuse cool lines because honestly you can’t remember if you already wrote it, or just thought of writing it.
The first draft is basically a mess.
The second draft is where you go and gather together the fragments of the explosion and figure out what it is you did, and make it look like that was what you always meant to do.Neil Gaiman
I think I’ve said before that I have friends who plot things out completely before writing them, but I am not one of these people. I’m definitely the explosion first draft type, and this second round helps me get rid of a lot of things – extraneous POVs, unnecessary repetition – but also add some things in: foreshadowing, since now I know how it’s going. The sort of repetition I want, because it matters for the characters and the story.
First Draft Rebecca is just excited to find out what happens in the end
One of the things I really like about NaNo is that speed: just keep writing. Don’t go back and edit. Keep pushing forward and see what happens.
Even when I try to plot something, I come to the end of what I’ve plotted and discover there’s still more story left over. I did that with Not Your Mary Sue – I’d plotted what happened in Part I and then a short epilogue. The book would’ve been about half the length it is now. But, once I got to the end of Part I, I felt like I couldn’t just leave Marcy there. I had to keep going.
My current revision is a Beauty and the Beast retelling. I love reading them (Robin McKinley‘s even written more than one) and I had more than one idea myself. I started with one and figured that would be the book, but then … the other idea rose up again, and the book kept going. It turned into two different Beauty and the Beast stories, swapping out roles somewhere around the middle.
I’d planned that first one, but the second was just me hanging on for the ride and seeing where things go.
… which doesn’t save First Draft Rebecca from the murky middle
It’s also called the muddy middle, or the saggy middle, but it doesn’t matter who you ask – the middle is a sticking point. It’s that transition between “what Rebecca thought the story was going to be about” and “what the story told Rebecca it wanted to be about.” It’s the part I’m editing right now, and yes, it’s murky. And muddy. And it sags. So there’s more cutting in the future as I put my characters on a much more direct path to their endings, but …
It’s fixable. That’s the good news. The best news, maybe.
And I’m excited about it, because this time I know how it ends, so I have a much better idea of how to get there. First Draft Rebecca has her issues, but she managed to get all of this down and figure out the plot.
All that being said, this book may never see the light of day. But the process of writing and revising is good practice, even if it doesn’t. Hey, at this point only one of my novels has been read beyond my little circle, so this is the same sort of thing I’ve been doing for a couple decades now: writing and revising because it’s actually rather fun, and because I like seeing how everything comes out, for the characters and for me.
Do you have any first draft quirks you leave for Second Draft You to deal with? Are any of them the same as mine?